dinsdag 17 oktober 2017

The Braes of Balquhither (1814) / Will You Go Lassie Go (1952) / Wild Mountain Thyme (1957)


"Wild Mountain Thyme" (also known as "Purple Heather" and "Will Ye Go, Lassie, Go?") is a Scottish folk song that was collected by Francis McPeake 1st, who wrote the song himself for his wife. The McPeake family claim recognition for the writing of the song. Francis McPeake is a member of a well known musical family in Belfast, Northern Ireland.
The lyrics and melody are a variant of the song "The Braes of Balquhither" by Scottish poet Robert Tannahill (1774–1810), a contemporary of Robert Burns. Tannahill's original song is about the hills (braes) around Balquhidder near Lochearnhead.
Like Burns, Tannahill collected and adapted traditional songs, and "The Braes of Balquhither" may have been based on the traditional song "The Braes o' Bowhether" (SEE NOTE on the bottom of this post)

Wild Mountain Thyme - Wikipedia

The Braes o' Balquhidder / Wild Mountain Thyme / Will You Go Lassie, Go? [Robert Tannahill] (Roud 541; G/D 4:862)


(c) Frank McPeake and Son (1952)  (as "Will You Go, Lassie, Go")
Recorded July 7, 1952 at the O'Boyle Family home in Belfast.

(Photograph) Frank McPeake. Belfast, Northern Ireland, 1952 - Peter Kennedy Collection - World and traditional music | British Library - Sounds

Charles O'Boyle had invited a number of performers to meet Peter Kennedy for his first evening of music collecting in Belfast.
In particular Peter was struck by the song, "Will You Go, Lassie Go?", the tune of which was composed by Francie I, recorded it in a cupboard under the stairs, and, when he returned to London, persuaded George Martin and the Educational Dept. of The Gramophone Company to issue this track on a 10" LP called "Folk Song Today" (His Master's Voice DLP 1143)



On the back-sleeve we can read: "Their song is a version of "The Braes of Balquidder"





Various - Folk Song Today (Songs And Ballads Of England And Scotland) (Vinyl, LP) at Discogs

Various Artists: Folk Song Today

Listen here:






As I said above "Wild Mountain Thyme" is a reworded arrangement of "The Braes of Balquhither",
which also includes the lines "Let us go, lassie, go" and "And the wild mountain thyme".

"The Braes of Balquhither" was first published at Falkirk in 1814, together with "Jamie frae Dundee", "Blyth was she", "M’Pherson’s farewel", and "Highland Rover" - held in the British Library at shelfmark 11621.b.10.(35.)

The song was also published in 1815 in the 3rd edition of "Poems and Songs, Chiefly in the Scottish Dialect" by Robert Tannahill.
"The Braes Of Balquhither" is on page 154, with "The Three Carls o' Buchanan" mentioned as accompanying air (which, some suggest. is the same melody that Francis McPeake used for "Wild Mountain Thyme", but as we see later on in this post, it's not)

https://archive.org/stream/poemssongschiefl00tann#page/154/mode/2up


A five-verse voice and piano arrangement was published by J.A. and W. Geib in New York circa 1818-1821. as we see below this is another melody, than the one used for "Wild Mountain Thyme"





Catalog Record: The Braes of Balquhither | Hathi Trust Digital Library


Then it received a new arrangement, attributed to John Davies, in 1821, also not the tune later used for "Wild Mountain Thyme".

The Braes o' Balquhither. A Favorite Scotch Ballad. - The Lester S. Levy Sheet Music Collection


The tune was most certainly not composed by McPeake, as it is and was an ancient Scots air even in Robert Tannahill's time!
Furthermore, in a BBC Radio interview in 1957, Francie McPeake Snr, admitted he learned the song from an Uncle, and made no claims to have written or composed it!

Robert Tannahill clearly wrote and published the lyrics, and they were included twice in Robert Archibald Smith's "Scotish Minstrel" (1821).

Vol I, p. 49 (appears in index as "Will ye go, lassie, go" to the air of "Braes o'Balquither")

https://archive.org/stream/scotishminstrels00smit#page/n15/mode/2up

https://archive.org/stream/scotishminstrels00smit#page/n65/mode/2up

and Vol. IV, p. 89 (has another tune marked "2nd set", appears in index as "Let us go, lassie, go" and set to the air: "The Three Carls o Buchanan"

https://archive.org/stream/scotishminstrels34smit#page/n13/mode/2up

https://archive.org/stream/scotishminstrels34smit#page/88/mode/2up

"Will ye go, lassie, go" to the air of "Braes o'Balquither" from Vol I of the Scotish Minstrel, was most likely the source for Francis McPeake to write his adaption of "Wild Mountain Thyme".
But even before that, in 1816, the song was published as "Bochuiddar" or "Balquhidder" (song # 77 on page 38) in Captain S. Fraser's "Collection of Melodies of the Highlands and Islands of Scotland".



http://imslp.nl/imglnks/usimg/d/d9/IMSLP333182-PMLP429041-airsmelodiespecu00fras.pdf


This is confirmed on page 113 in George Farguhar Graham's "The Songs of Scotland Adapted to Their Appropriate Melodies" (1850).
It says: "In Captain S. Fraser's Collection of Melodies of the Highlands and Islands of Scotland, 1816, we find, No. 77, Bochuiddar - Balquidder - which is the air applied to Tannahill's song, with some slight differences, as found in vol. I, p. 49 of R.A. Smith's "Scottish Minstrel"



https://deriv.nls.uk/dcn30/9470/94708522.30.jpg

Some sheets on Bodleian (as Roud # 541):  http://ballads.bodleian.ox.ac.uk/search/roud/541



The first recorded version of "The Braes o' Balquhidder" I could find, is by Alma Gluck.
Recorded: March 6, 1914 in Camden, New Jersey
Released on Victor 64416

Victor matrix B-14554. The braes o' Ballquhidder / Alma Gluck - Discography of American Historical Recordings

Listen here:





In the 1950's Elizabeth Cronin sang a version (recorded by Alan Lomax in 1951 and Seamus Ennis in 1952).
In "The Songs of Elizabeth Cronin", the notes say the song was set to music by Robert Archibald Smith himself, which.may or may not be quite accurate since it is known that Tannahill set the tunes himself to many of his other songs.

FTX-160 - CUCANANDY-NANDY - ELIZABETH CRONIN



(c) John MacDonald (1974)  (as "The Braes O' Balquhidder").

John MacDonald sang The Braes o' Balquhidder on his 1975 Topic album "The Singing Molecatcher of Morayshire".
Hamish Henderson commented in the album's liner notes: A song by the Paisley weaver-poet Robert Tannahill (1774-1810), to an old air "The Three Carles o' Buchanan". This exquisite song became very popular in the 19th century throughout Scotland and Ireland. It was in the repertoire of the celebrated ballad-singer Mrs Elizabeth Cronin of Macroom, Co. Cork, and the version recorded by the McPeake family of Belfast—now known throughout the modern folk revival as "The Wild Mountain Thyme"—continues to enjoy widespread popularity. It belongs to a well-known class of courtship songs in which the lover appeals to his girl to leave the city and enjoy the pleasures of country life. These songs gained added pathos in the period of the Industrial Revolution, when so many of the Lowland towns turned into smokey hell-holes.

John MacDonald - The Singing Molecatcher Of Morayshire (Vinyl, LP, Album) at Discogs

John MacDonald

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(c) Tannahill Weavers (1994)  (as "The Braes o' Balquhidder")

1146lyrics5

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(c) Sandy Paton (1959) (as "Wild Mountain Thyme")

Sandy Paton - The Many Sides Of Sandy Paton (Vinyl, LP, Album) at Discogs

Jac Holzman's Follow The Music: Elektra Records Discography 1951-1968

Quoting Sandy Paton on the Mudat Cafe: "I recorded it for Elektra Records in 1959 (and taught it to Judy Collins in that year when she and I worked together at the Exodus in Denver). I had learned it from a field recording made of the McPeakes which I found in the BBC Recorded Programmes Library which was then housed at the Cecil Sharp House in London".


(c) Judy Collins (1961)  (as "Wild Mountain Thyme")

Judy Collins - A Maid Of Constant Sorrow (Vinyl, LP, Album) at Discogs



Here's Judy singing an accapella version on Pete Seeger's "Rainbow Quest" show in 1966.

https://youtu.be/BL7jtkDI__U?t=1533



(c) Bob Dylan (1961)  (as "Wild Mountain Thyme")
Recorded May 1961 in Minnesota

The Minnesota Tapes - Bootleg CD-

Bob also performed the song in 1969 on the Isle of Wight Festival in the UK
And on June 22, 1988 in Cincinnati, Ohio

And here's Bob with Joan Baez live in 1975.






(c) Simon Sisters (1965) (as "Will You Go Laddie Go")

The Simon Sisters (Lucy & Carly)* - Winkin', Blinkin' And Nod (Vinyl, LP) at Discogs

Winkin', Blinkin' and Nod: The Kapp Recordings - Wikipedia

Listen here:





(c) Joan Baez (1965)  (as "Wild Mountain Thyme")

Vinyl Album - Joan Baez - Farewell, Angelina - Vanguard - USA

Joan Baez - Farewell, Angelina (Vinyl, LP, Album) at Discogs

Here Joan performs the song live in Edinburgh in 1965.





(c) Marianne Faithfull (1965) (as "Wild Mountasin Thyme")
Released in 1965 on het album "Go Away From My World" (USA)

Vinyl Album - Marianne Faithfull - Go Away From My World - London - USA

Also released in 1966 on her album "North Country Maid" (UK)

North Country Maid | Marianne Faithfull





(c) The Byrds (1966) (as "Wild Mountain Thyme")

Vinyl Album - The Byrds - Fifth Dimension - Columbia - USA





(c) Fotheringay (1970) (as "Wild Mountain Thyme")
Released in 2008 on the CD "Fotheringay 2".

Fotheringay 2 - Wikipedia





(c) Van Morrison (1973)  (as "Purple Heather")
Released on the album "Hard Nose The Highway"

Hard Nose the Highway - Wikipedia





(c) Rod Stewart (1995)  (as "Purple Heather")
Released on the album "A Spanner In The Works".

CD Album - Rod Stewart - A Spanner In The Works - Warner Bros. - Europe

A Spanner in the Works - Wikipedia

Listen here:






(c) Mark Knopfler (2002)
Released in 2002 on the soundtrack of "A Shot At Glory")

Listen here:





(c) James Taylor (2015)  (as "Wild Mountain Thyme")

CD Album - James Taylor - Before This World - Concord - Europe





(c) Ed Sheeran (2017) (as "Wild Mountain Thyme")

Sheeran paying tribute to his Irish roots. (and maybe a bit Scottish too !)





More versions here:

Cover versions of Wild Mountain Thyme written by Francis McPeake,Robert Tannahill | SecondHandSongs

The Originals © by Arnold Rypens - WILD MOUNTAIN THYME


NOTE: Robert Tannahill's "The Braes o'Balquhither" might have been inspired by John Hamilton's "The Braes O'Bowhether" (1796)

(13) Page 5 - Braes o' Bowhether - Glen Collection of printed music > Printed music > Collection of twenty-four Scots songs (chiefly pastoral) - Special collections of printed music - National Library of Scotland




dinsdag 10 oktober 2017

Girl in the Blue Velvet Band (1934) / Black Velvet Band (1950)

http://en.wikipedia.org/wiki/The_Black_Velvet_Band

"The Black Velvet Band" (Roud number 2146) is a traditional folk song collected from singers in Australia, England, Canada, Ireland and the United States describing how a young man is tricked and then sentenced to transportation to Van Diemen's Land (Australia).

It was published as a broadside ballad by Swindells of Manchester some time between 1796 and 1853
An additional note says: Tune: "Tars Of The Blanch"

In this version the young man visited the little town of Barking and the girl with the black velvet band deceived him on Ratcliffe Highway, after which a judge sentenced him to a free passage to Van Diemen's Land.
Ratcliffe Highway is the old name for a road in the East End of London, now called The Highway, then one of three main roads leaving London. It was in a dangerous and run-down area of seedy businesses, dark alleys and dilapidated tenements.



Ballads Online

An American song called "The Girl In The Blue Velvet Band", credited to Cliff Carlisle, has a similar plot and is loosely based on "Black Velvet Band". Here the young man is tricked by a beautiful girl with a Blue Velvet Band and then sent to San Quentin prison.
It was recorded by Bill Monroe, Doc Watson and Mac Wiseman among others, but Carlisle himself recorded it first in 1934.

(c) Cliff Carlisle (1934) (as "The Girl in the Blue Velvet Band")
Cliff Carlisle: Vocals, yodeling and steel guitar
Recorded August 28, 1934 in New York
Released on Perfect 5-12-61

Cliff Carlisle - Georgia Moon / The Girl In The Blue Velvet Band (Shellac) at Discogs

On the label we see that William Ronald "Bill" Calaway, who was an A&R man for Bill Carlisle, gets a writing credit.

Image and video hosting by TinyPic

Listen here:





(c) Tex Fletcher & Joe Rogers (1937)  (as "The Girl in the Blue Velvet Band")
Recorded June 2, 1937
Released on Decca 5403

TexFletcher.com Discography

Listen here: The Girl In The Blue Velvet Band



Hank Snow adapted the lyrics a bit and the song became a complete tearjerker.

GIRL IN THE BLUE VELVET BAND - Lyrics - International Lyrics Playground

(c) Hank Snow (1937) (as "The Blue Velvet Band")
Recorded November 8, 1937
Released on Bluebird B-4635


Listen here:





(c) Bill Carlisle (1947)
Recorded October 1946 in Cincinnati OH
Released on King # 638

78 RPM - Bill Carlisle - The Girl In The Blue Velvet Band / Shine Your Light To Others - King - USA - 638

Here the sole writing credit goes to Cliff Carlisle (Bill's brother)



Listen here:





(c) Bill Monroe and his Blue Grass Boys  (1949)
Recorded October 22, 1949 in Nashville TN
Released on the B-side of  Columbia # 20648

Bluegrass Discography: Viewing full record for Blue grass stomp / Girl in the blue velvet band

78 RPM - Bill Monroe And His Blue Grass Boys - Blue Grass Stomp / The Girl In The Blue Velvet Band - Columbia - USA - 20648

Image and video hosting by TinyPic

Listen here:   Bill Monroe and his Blue Grass Boys.mp3



(c) Mac Wiseman (1959) (as "The Girl in the Blue Velvet Band")

Mac Wiseman - Great Folk Ballads (Vinyl, LP, Album) at Discogs

Listen here:  https://youtu.be/399WMWZe6oo?t=440



Starting in the 1940's the first recordings of "The Black Velvet Band", which was most likely the ORIGINAL source for "The Girl in the Blue Velvet Band", were released.


On May 10, 1942, Helen Hartness Flanders recorded Fred Brackett performing the song in Stacyville, Maine, USA

https://www.vwml.org/record/RoudFS/S271316

Index_to_the_Field_recordings_in_the_Flanders_Ballad_Collection_at_Middlebury_College_Middlebury_Vermont_OCR1.pdf



On July 24, 1952, Peter Kennedy and Sean O'Boyle recorded Paddy Doran performing the song in Belfast.

Northern Ireland 1952 – Page 22 – Peter Kennedy Archive

It was released on a Folktrax cassette # FTX 168

FTX-168 - PUCK FAIR - IRISH TINKER SINGERS -3-

folktrax-archive.org/menus/performer_d.htm

folktrax-archive.org/menus/search for titles_bla_bli.htm


On July 28, 1953, Peter Kennedy recorded Mick McAlinden performing the song in the Cloughmore Hotel in Rostrevor.

Northern Ireland 1953 – Peter Kennedy Archive



(c) Harry Cox (1955)  (as "The Black Velvet Band")
Recorded in 1955 by Ewan MaColl

Harry Cox

Listen here:





(c) Ewan MacColl (1957)  (as "Black Velvet Band")
Ewan macColl: vocals,  with Peggy Seeger: guitar
Released on the album "Bad Lads and Hard Cases" (Riverside label RLP 12-632

Bad Lads and Hard Cases: Ewan MacColl at theBalladeers

Ewan MacColl - Bad Lads And Hard Cases

Also released on the Australian Wattle-label

Australian Folk Songs: Wattle Records and Films

45cat - Ewan MacColl And A. L. Lloyd - Convicts And Currency Lads - Wattle Recordings - Australia

A.L. Lloyd: Wattle Recordings of Australian Songs

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(c) The Bushwhackers (1957)  (as "Black Velvet Band")
Released on Wattle A11

78 RPM - The Bushwhackers - Black Velvet Band / The Hut That's Upside Down - Wattle Recordings - Australia - A-11

45cat - The Bushwhackers - Australian Bush Songs - Wattle Recordings - Australia

The Bush Music Club: The Bushwhackers - Australian Bush Songs, Wattle Recordings, 1957

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(c) The Wolfe Tones (1966)  (as "The Black Ribbon Band")

The Wolfe Tones - Up The Rebels! (Vinyl, LP) at Discogs

mudcat.org: Lyr Add: The Black Ribbon Band





(c) John Kelly (1967)  (as "Black Velvet Band")  (No. 1 in the Irish Charts)

45cat - Johnny Kelly - Black Velvet Band / The Nightingale - Pye - Ireland - 7N 17322

Johnny Kelly (2) - Black Velvet Band at Discogs





(c) Dubliners (1967) (as "Black Velvet Band")  (No. 15 in the UK Charts)

45cat - The Dubliners - Black Velvet Band / Maloney Wants A Drink - Major Minor - UK - MM 530





(c) The Irish Rovers (1968) (as "Black Velvet Band")
Recorded July 31, 1967 in LA
Released on the B-side of their Top 10 US hit "The Unicorn"

Vinyl Album - The Irish Rovers - The Unicorn - Decca - USA

The Unicorn - Wikipedia

45cat - The Irish Rovers - The Unicorn / Black Velvet Band - Decca - USA - 32254

Listen here:





(c) RUM (1972) (as "De Vuurrooien Band")

Rum (2) - Rum (Vinyl, LP, Album) at Discogs






More versions here:

The Originals © by Arnold Rypens - BLACK VELVET BAND, THE

Cover versions of The Girl in the Blue Velvet Band by Cliff Carlisle | SecondHandSongs


woensdag 4 oktober 2017

See That My Grave Is Kept Clean (1927) / Two White Horses In A Line (1931) / One Kind (Of) Favor (1952) / Sad And Lonesome Day (1935) / Vigilante Man (1940) / Lonesome Day (1944) / A Dying Man's Plea (1962)


"See That My Grave Is Kept Clean" is a song recorded by American blues musician Blind Lemon Jefferson in two slightly differing versions in October 1927 and February 1928 that became "one of his most famous compositions".

https://en.wikipedia.org/wiki/See_That_My_Grave_Is_Kept_Clean

The most commonly used name for this song is "See That My Grave Is Kept Clean", but other titles used are: "One Kind Favor", "Two White Horses In A Line" and "Dig My Grave With A Silver Spade" or variations on these titles. The traditional/bluegrass song "Sad And Lonesome Day" is another variation of the song. Many recordings give writing credit to Blind Lemon Jefferson but it was an existing "folk spiritual" that Jefferson learnt as "Two White Horses In A Line". It is likely that a number of similar songs existed.

http://www.bluegrassmessengers.com/Default.aspx

The following site mentions other possible sources:  http://www.earlyblues.com


Blind Lemon Jefferson's first version appears to have been issued as Paramount #12585, with matrix 4579 ("He Arose From The Dead") and matrix 20074 ("See That My Grave Is Kept Clean") coupled.
The same #12585 was re-issued coupling matrix 4579 and matrix 20073 ("Where Shall I Be ?").
Lemon Jefferson originally recorded this song under the pseudonym “Deacon L. J. Bates”

(o) Deacon L.J. Bates (=Blind Lemon Jefferson) (as "See That My Grave's Kept Clean")
Recorded October 1927 in Chicago.
Matrix 20074
Released on Paramount #12585

It's odd that on the  release coupling "Where Shall I Be ?" with "He Arose From The Dead", for the latter the matrix-number 20074 is used.

http://bluesimages.com/museum-78s/HTML-Individual-78s/Paramount-12585-a-Blind-Lemon-Jefferson-Where-Shall-I-Be.html

Riverside Records Discography: 1925-1930

See That My Grave's Kept Clean - Weeniepedia

See That My Grave Is Kept Clean - Wikipedia

Listen here:




(c) Blind Lemon Jefferson (1928)
Recorded February 1928 in Chicago
Matrix 20374
Released on Paramount 12608



https://www.discogs.com/Blind-Lemon-Jefferson-Lectric-Chair-Blues-See-That-My-Grave-Is-Kept-Clean-/release/4849874

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On May 28, 1930 Son House also recorded a version of "See That My Grave is Kept Clean", which was never issued, but on the same day he used the melody for "Mississippi County Farm Blues".


Mississippi County Farm Blues - Son House

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(c) Two Poor Boys (1931) (as "Two White Horses In A Line")
Recorded May 20, 1931 in New York City
Released on Oriole 8081
Also released on Perfect 182 and Romeo 5081



Listen here:





It is generally assumed that in 1940 Woody Guthrie lifted the melody for "Vigilante Man" from the Carter Family's "Sad And Lonesome Day".

http://www.originals.be/en/originals/6620

But on his turn "Sad And Lonesome Day" is a reworking of Blind Lemon Jefferson's "See That My Grave Is Kept Clean".

(c) Carter Family (1935)  (as "Sad And Lonesome Day")
Sara and Maybelle Carter (vocal duet) / Sara Carter; guitar
Recorded May 7, 1935 in New York
Released on Conqueror 8735 and Melotone 7-04-53

Sad And Lonesome Day - Carter Family 1935

Listen here:





(c) Woody Guthrie (1940)  (melody used in "Vigilante Man")
Recorded April 26, 1940 in Camden, New Jersey
Released July 1940 on the 78RPM album "Dust Bowl Ballads Vol 2" on the B-side of Victor 26624



http://adp.library.ucsb.edu/index.php/matrix/detail/200044249/BS-050156-Vigilante_man

https://en.wikipedia.org/wiki/Woody_Guthrie_discography

Vigilante Man - Wikipedia

http://www.thejukeboxrebel.com/album-chart-of-1940

Listen here:




And in 1944 Woody covered the Carter Family's "Sad And Lonesome Day".

(c) Woody Guthrie (1944)  (as "Lonesome Day")
Woody Guthrie: vocal/mandolin, Cisco Houston: vocal/guitar, Sonny Terry: harmonica
Recorded April 25, 1944
Matrix MA90
Released in 1952 on Stinson SLP 44

Woody Guthrie - Woody Guthrie, Vol. 1 (Vinyl, LP, Album) at Discogs

https://en.wikipedia.org/wiki/Woody_Guthrie_discography





(c) Lightnin' Hopkins (1952)  (as "One Kind Favor")
Recorded 1950/1951 in Houston Texas for the Quinn Recording Company
Producer: Bill Quinn
Released in 1952 on RPM # 359

Listen here:




(c) Lightnin' Hopkins (1952)  (as "One Kind Of Favor")
Lightnin' Hopkins: vocal/guitar, Donald Cooks: bass
Recorded 1951 in Houston TX
Producer: Bob Shad
Released on Sittin' In With # 649



CD Album - Lightnin' Hopkins - The Remaining Titles - Volume I: 1950-1961 - Document - Austria



(c) Dave Van Ronk (1961)  (as "Please See That My Grave Is Kept Clean")

https://folkways.si.edu/dave-van-ronk/sings/american-folk-blues/music/album/smithsonian




As Dave Van Ronk was Bob Dylan's "first New York guru", this might be the reason 1 year later Dylan also covered the song on his first album.

(c) Bob Dylan (1962)  (as "See That My Grave Is Kept Clean")



Bob recorded it again with the Band, which is included on The Genuine Basement Tapes.

http://www.bobsboots.com/CDs/cd-g04.html

This version was re-titled "One Kind Favor" on the Bootleg Series Vol 11; the Basement Tapes Complete

CD Album - Bob Dylan And The Band - The Bootleg Series Vol 11: The Basement Tapes Complete - Columbia - Europe

https://en.wikipedia.org/wiki/The_Bootleg_Series_Vol._11:_The_Basement_Tapes_Complete



(c) Staple Singers (1962) (as "A Dying Man's Plea")
Recorded February 1962 in New York City

The Staple Singers - Hammer And Nails (Vinyl, LP, Album) at Discogs

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(c) Peter, Paul and Mary (1964) (as "One Kind Favor"),

Vinyl Album - Peter, Paul And Mary - In Concert - Warner Bros. - USA

Listen here:





(c) Canned Heat (1968) (as "One Kind Favor")

Vinyl Album - Canned Heat - Living The Blues - Liberty - USA

45cat - Canned Heat - Going Up The Country / One Kind Favor - Liberty - USA - 56077

Listen here:





(c) Grateful Dead (as "One Kind Favor")
Recorded live on July 30, 1966 in Vancouver, Canada

https://www.whitegum.com/introjs.htm?/songfile/ONEKIND.HTM

CD Album - Grateful Dead - Grateful Dead - Rhino - Europe

Listen here:





In November 2001 Lou Reed recorded a live version of "See That My Grave Is Kept Clean".
An abridged version was used on the soundtrack of the 2003 movie "Martin Scorsese presents The Blues - The Sooul of a Man"

See That My Grave Is Kept Clean

But here's the magnificent full 12 minute version.



In November 1999 Lou Reed had recorded an electrified version, which was released in 2006 on the Harry Smith Project.





In 2004 Mavis Staples recorded "A Dying Man's Plea", which she previously had recorded with the Staple Singers in 1962 (SEE ABOVE)

Mavis Staples - Have A Little Faith (CD, Album) at Discogs

In 2015 Mavis Staples recorded the song again as "See That My Grave Is Kept Clean" for her album "Your Good Fortune".
It won the 2016 Grammy Award for Best American Roots Performance.

(c) Mavis Staples (2015)  (as "See That My Grave Is Kept Clean")

Listen here:





NOTE: musically speaking "See That My Grave Is Kept Clean" has a little resemblance to
"Loveless Love" / "Careless Love".

SEE: ----Joop's Musical Flowers: Kelly's Love (1911) / Loveless Love (1921) / Careless Love (1923)

And there's also a little resemblance to "Fare Thee, Honey, Fare Thee Well" / "I'll See You In The Spring, When The Birds Begin To Sing".

SEE: http://jopiepopie.blogspot.nl/2013/04/ill-see-you-in-spring-when-birds-begin.html



More versions of "See That My Grave Is Kept Clean" here:

Cover versions of See That My Grave Is Kept Clean by Blind Lemon Jefferson | SecondHandSongs

The Originals © by Arnold Rypens - SEE THAT MY GRAVE IS KEPT CLEAN

Grateful Dead Family Discography: One Kind Favor / See That My Grave Is Kept Clean

See That My Grave Is Kept Clean (Blind Lemon Jefferson)



"See That My Grave Is Kept GREEN" is an example of a similar song.
Although it doesn't have much in common with Blind Lemon Jefferson's song, it does have the lines "This one little wish I ask of you, see that my grave is kept green."

The sheet music can be seen at the Historic American Sheet Music site.

http://library.duke.edu/digitalcollections/hasm_b0421/

In 1928 Bela Lam and his Greene County Singers recorded a version of "See That My Grave Is Kept Green".

https://www.amoeba.com/sized-images/maxs/800/600/uploads/2792715_BelaLam_RowUsOverSeeThatMyGraveIsKeptGreen_F.jpg

Listen here: https://www.amoeba.com/music-player.php?type=track&id=11144331

And in 1933 The Carter Family also recorded a version of  "See That My Grave Is Kept Green".



Kelly's Love (1911) / Loveless Love (1921) / Careless Love (1923) / I Have No Loving Mother Now (1927) / Blues Oh Blues (1928)

"Loveless Love" / "Careless Love" is a traditional song of obscure origins.
It was one of the best known pieces in the repertory of the Buddy Bolden band in New Orleans, Louisiana at the very start of the 20th century, and has remained a jazz standard and blues standard. Hundreds of recordings have been made in folk, blues, jazz, country, and pop styles

Mentioned in 1911 in a transcription by Howard Odum in The Journal of American Folk-Lore, as "Kelly's Love", probably named after Chris Kelly, New Orleans trumpet player who like Buddy Bolden never recorded.

THE JOURNAL OF AMERICAN FOLK-LORE
Vol. XXIV. —JULY-SEPTEMBER, 1911— No. XCIII
FOLK-SONG AND FOLK-POETRY AS FOUND IN THE SECULAR SONGS OF THE SOUTHERN NEGROES BY HOWARD W. ODUM

In volume 24 - July/September 1911 - no 93 of the Journal of American Folk-Lore transcription it is song # 42 on page 286.

42. kelly's love
In "Kelly's Love" the note of disappointed love is sounded:

| : Love, Kelly's love, : | (three times)
You broke de heart o
' many a girl,
You never break dis heart o
' mine.
| : When I wo' my aprons low, : | (three times)
Couldn't keep you from my do'.
| : Now I weahs my aprons high, : | (three times)
Sca'cely ever see you passin' by.
| : Now I weahs my aprons to my chin, : | (three times)
You pass my do', but can't come in.
| : See what Kelly's love have done. : | (three times)
See what Kelly's love have done.
: If I had listened to what my mamma said, : | (three times)
I would a been at home in mamma's bed.

https://www.jstor.org/stable/534456?seq=32#page_scan_tab_contents

And on page 256 Odum wrote: Likewise there is abundant material for comparing with well-known folk-songs or ballads of other origins. One may note, for instance, the striking similarity between the mountain-song — "She broke the heart of many poor fellows, But she won't break this of mine" — and the negro song " Kelly's Love," the chorus of which is, "You broke de heart o' many a girl, But you never will break dis heart o' mine."

https://www.jstor.org/stable/534456?seq=2#page_scan_tab_contents


Mentioned in 1915 in a transcription by E.C. Perrow in The Journal of American Folk-Lore, as "Careless Love", with a notation "From Mississippi; country whites; MS of R. J. Slay; 1909."
In volume 28 - April/June 1915 - no 108 of the Journal of American Folk-Lore transcription it is song # 3 on page 147.

https://www.jstor.org/stable/534506?seq=19#page_scan_tab_contents


As "Kelly's" and "Careless" have similar sounds, one is probably a corruption of the other; but which came first is not known.


In the book "Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues", there are also a few notes about the history of "Careless Love"

SEE: NOTES ON "Careless Love"



WC Handy was the first to publish this song in 1921 as "Loveless Love" - a Blues Ballad".
In 1926 Handy published it again as "Careless Love".

mudcat.org: Help: Careless Love / Bunch of Thyme

Careless Love (Blues) (William C. Handy & Spencer Williams & Martha E. Koenig? Bessie Smith? Traditional?)

Folk Music Index - Car to Caz

Careless Love

Careless Love - Wikipedia


Image and video hosting by TinyPic



The first recorded version:

(o) Noble Sissle and his Sizzling Syncopators (1921)  (as "Loveless Love")
Recorded January-February 1921 in New York
Released on Pathe 20493 and Actuelle 020493

Image and video hosting by TinyPic


Image and video hosting by TinyPic

Listen here:





(c) James P. Johnson (1921) (as "Loveless Love (a 'Blues' Ballad)"
Not a record but a piano-roll on QRS 1340
Recorded May 1921 in Newark, New Jersey.

Riverside Records Discography: early 20th century-1924

James P. Johnson

Listen here:





(c) Katherine Handy (1922)  (as "Loveless Love")
Acc by her father's Memphis Blues Band.
Recorded January 1922 in New York
Released on Paramount 12011



Listen here:





(c) Alberta Hunter 1923 (as "Loveless Love")
Acc by Henderson's Dance Orchestra
Recorded February 1923 in New York
Released on Paramount 12019

Alberta Hunter

Listen here:





(c) Bessie Smith (1925)  (as "Careless Love Blues")
Bessie’s version used new lyrics by Martha Koenig and Spencer Williams and featured Louis Armstrong on cornet.
Recorded May 26, 1925 in New York City
Released on Columbia 14083-D

Careless Love Blues - Bessie Smith 1925

Listen here;






(c) Lester McFarland and Robert L. Gardner (1926) (as"Careless Love")
Recorded October 16, 1926 in New York
Released onVocalion 5125

https://www.discogs.com/Lester-McFarland-2-And-Robert-A-Gardner-Midnight-On-The-Stormy-Deep-Careless-Love/release/9300983

Listen here:





(c) Dodds and Parham (1927)  (as "Loveless Love")
Johnny Dodds (clarinet) and Tiny Parham (piano)
Recorded April 1927 in Chicago
Released on the B-side of Paramount 12483 ("19th Street Blues" / "Loveless Love")

http://www.redhotjazz.com/dap.html

Loveless Love - Dodds and Parham 1927 (A-kant)

Listen here:





(c) Lulu Jackson (1928)  (as "Careless Love Blues")
Recorded June 21, 1928
Released on Vocalion 1193

http://www.45worlds.com/78rpm/record/nc564826us

Listen here:





(c) Lonnie Johnson (1928)
Recorded November 16, 1928
Released on Okeh 8635

Careless Love - Lonnie Jonson

Listen here:





(c) Eva Parker (1928)  (as "Careless Love")
Recorded November 27, 1928 in Chicago.
Released on Victor V-38020.

Careless Love - Eva Parker 1928

Listen here:





(c) (Asa) Martin and (James) Roberts (1934) (as "Careless Love")
Recorded August 29, 1934 in New York
Released on Perfect 5-11-63

Careless Love - Martin and Roberts

Martin And Roberts* - Careless Love / Lillie Dale (Shellac) at Discogs

Listen here:

http://www.honkingduck.com/mc/system/files/CARELESS_LOVE.MP3



(c) Leadbelly (1935)  (as "Careless Love")
Recorded January 20, 1935 in Wilton, Connecticut.
Released in 1991 on the next Rounder-album

Lead Belly* - Midnight Special - The Library Of Congress Recordings, Volume One (CD) at Discogs

Listen here:





(c) Cleoma Falcon (1936) (as "L’Amour Indifferent")
Cleoma Breaux Falcon: Vocals Guitar, Moise Morgan: Fiddle, Joe Falcon: Fiddle.
Recorded on March 12, 1936 in New Orleans.
Released on Decca 17024

careless love - cleoma falcon

Cleoma Falcon - Pin Solitaire / L'Amour Indifferent (Shellac) at Discogs

Listen here:





(c) Georgia White (1937)  (as "Careless Love")
Recorded November 9, 1937 in Chicago
Released on Decca 7419

Careless Love - Georgia White 1938

Careless Love / Strewin' Your Mess by Georgia White (Single; Decca [USA]; 7419): Reviews, Ratings, Credits, Song list - Rate Your Music

Listen here:



Some 20 months earlier Georgia White had recorded "Tell Me Baby", which had the same melody as "Careless Love"

(c) Georgia White (1936) (as "Tell Me Baby")
Recorded January 16, 1936
Released on Decca 7152

Listen here:





(c) Delmore Brothers (1938)  (as "Careless Love (Bring My Baby Back)"
Recorded January 26, 1938 in Charlotte, NC
Released on Bluebird B-7436

Careless Love - Delmore Brothers 1938

Delmore Brothers* - Goodbye Booze / Careless Love (Bring My Baby Back) (Shellac) at Discogs

Listen here;





And here's the "composer", WC Handy, himself.
Recorded on December 26, 1939 in New York City

Loveless Love - W.C. Handy & Orchestra 1939

Listen here:

W. C. Handy - Loveless Love : W. C. Handy : Free Download & Streaming : Internet Archive

Or here:

https://ia902700.us.archive.org/29/items/W.C.Handy-LovelessLove/W.C.Handy-LovelessLove.mp3



(c) Josh White (1940) (as "Careless Love")
Recorded March 7, 1940 in New York
Released on the 78 RPM album "Harlem Blues" on the Musicraft label (album #N3)

https://www.wirz.de/music/whitefrm.htm

Listen here:





(c) Billie Holiday (1941)  (as "Loveless Love")
Recorded October 15, 1940 in New York
Released on Okeh 6064

Loveless Love - Billie Holiday

1940 sessions | Billie Holiday Songs

Billie Holiday - St. Louis Blues / Loveless Love (Shellac) at Discogs

Listen here:





(c) Fats Domino (1950)
Antoine Domino(v/p), Dave Bartholomew(tp), Joe Harris)as), Clarence Hall(ts), Herbert Hardesty(ts), Alvin "Red" Tyler(bs), Ernest McLean(g), Frank Fields(b), Earl Palmer(d)
Recorded September 1950 in New Orleans
Released September 1951 on Imperial 5145

http://www.45worlds.com/78rpm/record/5145us

Listen here:





(c) Anita Carter (1950)  (as "Careless Love")
Anita Carter (vcl), Chet Atkins [gt], Harold Bradley [gt], W. Robinson [steel], Ernie Newton [bass], John Gordy [piano]
Recorded 22 October 1950 (unissued at the time)
Released in 2004





(c) Pete Seeger (1958)  (as "Careless Love")

http://www.folkways.si.edu/pete-seeger/american-favorite-ballads-vol-2/american-folk/music/album/smithsonian

Listen here:





(c) Nat King Cole (1958)  (as "Careless Love")

https://www.jazzdisco.org/nat-king-cole/discography/

http://www.45worlds.com/vinyl/album/w993

Listen here:





(c) Dave Van Ronk (1959)

http://www.45worlds.com/vinyl/album/fs3818

Listen here:





(c) Joan Baez and Bill Wood (1959)  (as "Careless Love")
Recorded May 1959
Released on Veritas XTV 62202-3

https://www.discogs.com/Various-Folksingers-Round-Harvard-Square/release/2767081

http://www.richardhess.com/joan/joan001.htm

Listen here:





(c) Connie Francis (1961) (as "Careless Love")

http://www.45worlds.com/vinyl/album/e3969





(c) Ray Charles (1962)  (as " Careless Love")

http://www.45cat.com/record/4510345

https://www.discogs.com/Ray-Charles-Modern-Sounds-In-Country-And-Western-Music/master/141586





(c) Bob Dylan and Johnny Cash (1969) (as "Careless Love")
Recorded on February 18, 1969 in Nashville

http://www.bobsboots.com/boots/bt-n001.html





(c) Quincy Jones Orchestra (1986)  (as "Careless Love")
Vocals: Tata Vega
From the movie "The Color Purple"

http://www.45worlds.com/vinyl/album/9253561

Listen here:





(c) Madeleine Peyroux (2004)  (as "Careless Love")

https://en.wikipedia.org/wiki/Careless_Love_(album)

Listen here:





(c) Wynton Marsalis and Eric Clapton (2011) (as "Careless Love")
Live from Jazz at the Lincoln Center

http://www.allmusic.com/album/play-the-blues-live-from-jazz-at-lincoln-center-mw0002193948





(c) Hugh Laurie (2013) (as "Careless Love")

https://en.wikipedia.org/wiki/Didn%27t_It_Rain_(Hugh_Laurie_album)

Listen here:





Many coverversions here:

https://secondhandsongs.com/work/103129/versions#nav-entity

The Originals © by Arnold Rypens - CARELESS LOVE



The following songs also took the melody from "Loveless Love"/ "Careless Love".


(c) Kelly Harrell and Henry Norton (as "I Have No Loving Mother Now")
Recorded August 12, 1927 in Charlotte, NC
Released on Victor 20935

Careless Love - Kelly Harrell and Henry Norton 1

Kelly Harrell - Henry Norton With Virginia String Band* - Row Us Over The Tide / I Have No Loving Mother Now (Shellac) at Discogs

Listen here:





(c) Ma Rainey And Her Georgia Band (1928)  (as "Blues Oh Blues")
Shirley Clay (tp) Kid Ory (tb) unknown (tu) Claude "Hop" Hopkins (p) unknown (bj) Ma Rainey (vo) unknown male talking
Recorded in Chicago, IL, circa August, 1927
Paramount 12566

Listen here:





Joshua White (1933) and Blind Willie McTell (1935) both recorded versions of "Lay Some Flowers on My Grave", which is melodically identical to "Careless Love". The lyrics are similar to "See That My Grave Is Kept Clean"

(c) Joshua White (1933)  (as "Lay Some Flowers on My Grave")
Recorded November 13, 1933 in New York City
Released on Banner 32918, Conqueror 8271, Melotone m 12861, Oriole 8289,  Romeo 5289
and Perfect 0264



Listen here:





(c) Blind Willie McTell (1935)  (as "Lay Some Flowers On My Grave")
Recorded April 25, 1935
Released on Decca 7810

Lay Some Flowers On My Grave - Blind Willie McTe

Listen here:





(c) Robert Johnson (1936)  (as "Last Fair Deal Gone Down")
Recorded Novemer 27, 1936 in San Antonio, TX
Released on Vocalion 03445
Also issued on Perfect 7-04-60 (900 copies) and Oriole 7-04-60 (60 copies) in April 1937.

Last Fair Deal Gone Down - Robert Johnson 1937

78 RPM - Robert Johnson - 32-20 Blues / Last Fair Deal Gone Down - Vocalion - USA - 03445

Listen here:





Papa Charlie Jackson uses the melody for his guitar-solo on "Mumsy Mumsy Blues"
Recorded February 1926 in Chicago
Released on Paramount 12366

Mumsy Mumsy Blues - Charlie Jackson

Listen here (at 1 min and 25 sec in the Spotify-clip below)






NOTE: musically speaking "Loveless Love" / "Careless Love" has also a little resemblance to "Fare Thee, Honey, Fare Thee Well" / "I'll See You In The Spring, When The Birds Begin To Sing".

SEE: http://jopiepopie.blogspot.nl/2013/04/ill-see-you-in-spring-when-birds-begin.html

And there's also a little resemblance to "See That My Grave Is Kept Clean".

SEE: ----Joop's Musical Flowers: See That My Grave Is Kept Clean (1927)

zondag 1 oktober 2017

Mens(ch) Durf Te Leven / Memento Vivere (1917 / 1920)


"Mens(ch) durf te leven" ("Dare To Live, People") is the most famous song of singer/composer Dirk Witte. The song encourages people to enjoy life and not adjusting so many questions; and it also calls for not always following the calibrated paths, not adapting as slaves to the majority. Thematically, the text resists the so-influential social control, and against the acceptance of authoritarian morale.


In 1918 Leo Gestel painted a beautiful cover for the sheetmusic of this song, in which he assigned the song to Jean-Louis Pisuisse.






But there"s a rumour the music was actually written by Meyer Olman.

Zwartekat.nl - Was Meyer Olman de geheime componist van ‘Mens durf te leven’?



Jean-Louis Pisuisse first introduced "Mensch Durf Te Leven" in December 1917 in the Centraal Theater in Amsterdam.

In 1918 (amongst 12 other songs) he recorded the song (as "Memento Vivre") for His Master's Voice, but it was never released.

(o) Jean-Louis Pisuisse (1918)  (as "Memento Vivre")  NEVER RELEASED
Recorded August 18, 1918 in The Hague (Den Haag), Netherlands
With Jan Hemsing at the piano.
Matrix 20742u

SEE:  http://charm.rhul.ac.uk/discography/


The first recording to be released was by a one-time member of the Cabaret of  Pisuisse: Henri Wallig

(c) Henri Wallig (1920)  (as "Mensch Durf Te Leven")
Recorded December 6, 1920 in The Hague (Den Haag), Netherlands
Matrix s21822u
Released on the Zonophone-label (# 3238)

SEE: http://www.charm.rhul.ac.uk/discography/

Listen here: https://lennartb.home.xs4all.nl/menschdurfteleven.ogg

Or here:





(c) Alex de Haas (1941)
with Dick Willebrandts, piano
Recorded October 1, 1941 for a Dutch Radio Broadcast
Released on the next album

https://music.yandex.ua/album/2766291/track/23871245

Listen here:





(c) Max van Praag (1958)
Released on the album "Dirk Witte Liedjes".

Dirk Witte liedjes by Max van Praag / Sonja Oosterman (Album): Reviews, Ratings, Credits, Song list - Rate Your Music







Listen here:





(c) Willy Alberti (1962)
Released on Phlips single # 318 741 PF



http://www.45cat.com/record/318741pf

https://www.discogs.com/Willy-Alberti-Mens-Durf-Te-Leven/release/9490062

Also released on Philips EP # 433 122 PE

http://www.45cat.com/record/433122pe

https://www.discogs.com/Willy-Alberti-Willy-Alberti-Zingt-Dirk-Witte/release/9854350

https://secondhandsongs.com/release/177967

Listen here:





(c) Herman Tholen (1964)
Released on the album "Waar Blijft De Tijd".







http://theaterencyclopedie.nl/wiki/Waar_blijft_de_tijd%3F_-_Cabaret_Wim_Ibo_-_1964-05-15

Listen here:





(c) Ramses Shaffy (1967)
Sung in the TV documentary about Jean-Louis Pisuisse: "Namen Die Je Nooit Vergeet", which was broadcasted on November 20, 1967 for KRO Television.



It was also published on the next album

https://www.muziekweb.nl/Link/HAX2511/Wim-Ibo-presenteert-Namen-die-je-nooit-vergeet?TrackID=HAX2511-0013

https://www.discogs.com/Various-Wim-Ibo-Presenteert-Namen-Die-Je-Nooit-Vergeet/release/9535342

https://rateyourmusic.com/release/album/various_artists_f2/wim_ibo_presenteert__namen_die_je_nooit_vergeet.p/



(c) Willem Nijholt (1977)
Not released at the time, but finally released in 1998 on the next CD

https://www.discogs.com/Willem-Nijholt-Portret/release/9231375

https://www.muziekweb.nl/Link/HAX1129/Portret?TrackID=HAX1129-0007

Listen here:






(c) Enny de Leeuwe, Ronnie Bierman, Henk van Ulsen, Fred Florusse and Cor Lemaire
Recorded live on September 25, 1975 at the Tingel Tangel Theater in Amsterdam.
Released on the album "Wim Ibo presents Onder De Bomen Van Het Plein".

http://www.45worlds.com/vinyl/album/6413078

https://www.discogs.com/Various-Wim-Ibo-Presenteert-Onder-De-Bomen-Van-Het-Plein-Cabaret-Artistique-1925/release/10453557

Listen to a sample here:

https://www.muziekweb.nl/Link/HAX2547/Wim-Ibo-presenteert-Onder-de-bomen-van-het-plein?TrackID=HAX2547-0017



(c) Frits Lambrechts (1987)
Released in 2002 on the CD: "Dringende Kwesties".

http://www.jennyarean.com/index.php?option=com_content&view=article&id=128

Also released in 2004 on the CD: "Portret"

https://www.discogs.com/Frits-Lambrechts-Portret/release/7441396

Listen here:





(c) Huub van der Lubbe with the Metropole Orkest (1999)
From the Dutch TV-programme "Samen over de drempel" broadcast on December 31, 1999, containing the most beautiful songs of the last century.

Listen here:





(c) Amazing Stroopwafels (2000)
They had already recorded the song in 1988 for the album "Gaan Te Ver"
But here's a rocking version of the song in the Dutch TV-Show "Kopspijkers".

Listen here





(c) Jenny Arean (2002)
Recorded for the theater production "Klarenbeek en Verbrugge".

https://www.discogs.com/Jenny-Arean-En-Willeke-Alberti-Klarenbeek-En-Verbrugge/release/10248165

http://www.jennyarean.com/index.php?option=com_content&view=article&id=154



(c) Wende Snijders (2005)
Recorded January 26, 2005 for the TV-programme "De Avond Van Het Gedicht".

Listen here:




(c) Wende Snijders (2008)
Wende performed the song again on the TV-programme "Een Nieuwe Jas - Live"

Listen here:





(c) Jim de Groot & de Matangi's (2008)

https://www.musicmeter.nl/album/268277

Listen here:  Mens, Durf Te Leven! van Jim de Groot



In September 2015 the song (amongst all the 33 Dirk Witte composed songs) was performed before a live audience in the Forbo Flooringzaal of the Zaantheater in Zaandam (Netherlands) by Huub van der Lubbe.

https://taalaandezaan.nl/uncategorized/dirk-witte/

http://deorkaan.nl/dirk-witte-compleet-in-het-zaantheater/

Listen here:




Here's an ad from the Dutch newspaper De Groene Amsterdammer dated November 20, 1920, with a few songs that Pisuisse recorded on the same date as "Memento Vivere".



http://historisch.groene.nl/nummer/1920-11-20/pagina/6#2/0.0/0.0


http://www.dutchsongs.overtuin.net/translation-10-pisuisse-mens-durf-te-leven.html


Here's the complete TV documentary about Jean-Louis Pisuisse in which Ramses Shaffy sang "Mens Durf Te Leven"



http://www.zwartekat.nl/nieuws/2013/04/14/namen-die-je-nooit-vergeet-jean-louis-pisuisse-j-h-speenhoff-eduard-jacobs-louis-davids/


woensdag 20 september 2017

Ella Ree (1853) / Carry Me Back To Tennessee (1865) / Sarie Maré (1889) / Sarie Marais (1927) / Sweet Allalee (1927)


Although Sarie Marais became known as a typical South African song, its origins go back to the American Civil War, where a song called "Carry Me Back To Tennessee" or "Ellie Rhee" was written in 1865 by Septimus Winner (1827-1902).


But this song has a confusing history. In 1852 or 1853, Charles E. Stewart and James W. Porter published “Ella Ree.”

Image and video hosting by TinyPic


Image and video hosting by TinyPic

Ella Ree | Library of Congress


In 1865, Septimus Winner altered the lyrics of the song to fit the post-Civil War circumstances. That seems to be the original of most of the traditional versions, although they cannot agree on whether the girl is Ella or Ellie, and Ree or Rhee or Rhea, or even “Allalee.”

Image and video hosting by TinyPic

Carry me back to Tennessee; Ellie Rhee (b1043) - Historic American Sheet Music - Duke Libraries

The Originals © by Arnold Rypens - CARRY ME BACK TO TENNESSEE

Ellie Rhee (Ella Rhee, Ella Ree)


This song was heard being sung by Americans working the Transvaal gold mines by Afrikaans journalist Jacobus Petrus Toerien , who adapted the song into the Afrikaans language sometime around 1889 (between the First and Second Freedom Wars, as the Boer War was known in South Africa). He substituted the name of Ellie Rhee with that of his own sweethart Sarie Maré, who he later married and with who he had 16 children, 8 of whom survived.

Sarie Marais - Wikipedia


The first recording of the original American version I could find:

(c) Carroll Clark (1910)  (as "Carry Me Back To Tennessee")
Recorded early 1910 in New York
Released on Columbia A852

Carrol C. Clark* - Carry Me Back To Tennessee (Shellac) at Discogs

Columbia matrix 4445. Carry me back to Tennessee / Carroll Clark ; Vess L. Ossman - Discography of American Historical Recordings

Listen here:





(c) Lester McFarland and Robert A. Gardner (1927) (as "Sweet Allalee")
Recorded December 8, 1927 in New York
Released on Vocalion 5199



Lester McFarland (2) And Robert A. Gardner - Lay My Head Beneath The Rose / Sweet Allalee (Shellac) at Discogs

Listen here:






(c) Kanawha Singers (1929) (as "Ella Ree (Carry Me Back To Tennessee")
Recorded August 27, 1929 in New York

http://countrydiscoghraphy2.blogspot.nl/2013/03/kanawha-singers.html

Released on Brunswick 459



Kanawha Singers - Ella Ree (Carry Me Back To Tennessee) / Climb Up, Ye Chillun, Climb (Shellac) at Discogs




(c) Blue Sky Boys (1936) (as "Sweet Allalee")
Released on Bluebird 6854



The Blue Sky Boys (Bill And Earl Bolick)* - Can't You Hear That Night Bird Crying / Sweet Allalee (Shellac) at Discogs






Die Afrikaanse woorde van Sarie Marais het die eerste keer in 1927 in druk verskyn in Joan van Niekerk se “Groot Afrikaanse-Hollandse Liederbundel” waarin dit bloot as ‘n Afrikaanse volkswysie beskryf is. 


"Sarie Marais" was also the title of the first South African talking picture, directed by Joseph Albrecht and made in 1931. Filmed in Johannesburg, Sarie Marais manages to pack a lot into its 10-minute running time. Set in a British POW camp, the film concentrates on a group of Boer prisoners as they pass the time under the watchful eye of their British captors.
One of the internees, played by Billy Mathews, lifts his voice in song with the popular Afrikaans patriotic tune "My Sarie Marais". His enthusiasm catches on with the other prisoners, giving them hope for the future.

https://af.wikipedia.org/wiki/Sarie_Marais_(1931)

Sarie Marais (1931) - IMDb

Chris Blignaut also sang some songs in the Sarie Marais talking picture referred to above,
Blignaut's recording with the Melodians as backing is from the same year as the movie.
Released on Columbia DW. 4485 (mx EA 186)

Listen here:




The version below by Chris Blignaut with the Welgens Suikerbossie Orkesis a variation of the original song in which he is backed by a boeremusiek band.






(c) Vier Vrolike Kerels (1930's)  (as "Sarie Marais")
Conducted by Alec Benjamin
Released on Columbia LE.44 mx WEA.444)

Listen here:





(c) Albert de Booy (1933)  (as "Sarie Marijs")
Dutch lyrics Wilhelm Ciere
Matrix PR 2112
Released on Triumph 581 and also on Regina S 3479
Also released on the Astra-label



Listen here:





(c) August de Laat (1933)





(c) AVRO band Kovacs Lajos (vocals: Bob Scholte)  (1933)  (as "Sarie Marys")
Recorded end 1933
Released on Parlophon B 17816 and Odeon A 164997

AVRO band Kovacs Lajos, Bob Scholte - Dat gaat nu met de Pelikaan / Sarie Marys (Shellac) at Discogs

Listen here:





(c) Welgens Orkes (1930's) (as "Sarie Marais")
Released on Gallotone 286

Willie Welgens



(c) Joseph Marais and his Bushveld Band (1939) (as "Sarie Marais")
Recorded December 18, 1939 in New York
Released on Decca 18048 as part of Decca album A-113

Songs of the South African Veld by Josef Marais (Album): Reviews, Ratings, Credits, Song list - Rate Your Music

this was re-released in 1949 on Decca album DL 5014

Josef Marais And His Bushveld Band - Songs Of The South African Veld (Vinyl, LP, Album) at Discogs






(c) Anne Shelton (1945)  (as "My Beautiful Sarie Marais")
with Stanley Black and his Orchestra
English lyric and musical adaption by Michael Carr and Tommie Connor

http://www.45worlds.com/78rpm/record/f8510

Anne Shelton With Stanley Black And His Orchestra* - My Beautiful Sarie Marais (Shellac) at Discogs



In 1950 Dutch singer Eddy Christiani made a very free adaptation of "Sarie Marais"

(c) Eddy Christiani (1950)  (as "O mijn Sarie, mijn Sarie Marijs"





(c) Kilima Hawaiians (1954)  (as "Sarie Marei")
German lyrics by Bruno Balz and Norbert Schultze
Also sung in the movie "Ein Leben Für Do"
Recorded March 17, 1954 in Hamburg
Released on Philips P 44588 H

Die Kilima Hawaiians* - Sarie Marei / Fahr' Mich In Die Welt, Mein Stolzer Kapitän (Shellac) at Discogs

http://www.45worlds.com/cdalbum/cd/bcd15749ah

Listen to a sample here:

https://www.shazam.com/nl/track/215889883/sarie-marei/lyrics



(c) Eve Boswell (1956)  (as "Sarie Marais")
Released on Parlophone R 4189

http://www.globaldogproductions.info/p/parlophone-uk4000.html

Listen here:





(c) Bobbejaan Schoepen (1959)  (as "Sarie Marijs")
Incorporated in the Bobbejaan in Transvaal medley

https://www.discogs.com/Bobbejaan-Schoepen-10-Jaar-Bobbejaan/release/8403747



(c) The Giants (1962)  (as "Sarie Marijs")

The Giants (10)* - Sarie Marijs (Vinyl) at Discogs

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In June 1934, a gentleman by the name of A. Kloosterman wrote to a Dutch newspaper to have a song he wrote published in the newspaper. He claimed that it was written to be sung on 31st August (Queen Wilhelmina"s birthday). In the song, simply called "Vlaggelied" (Flag song) is expressed the close relationship between the Netherlands and the House of Orange. He also claimed that the song was already being taught in all Dutch schools and sung by Orange associations, in political circles, in the army and by the fleet. In this capacity he offers his song as a national anthem alongside the classical Wilhelmus to our Great Netherlands. The melody to be used was that of Sarie Marijs (Sarie Marais)


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Vlaggelied - Geheugen van Nederland




(c) Thembi (1977)  (as "Take Me Back To The Old Transvaal") (#  Hit in The Netherlands)

In 1977 South-African singer Thembi recorded the medley "Take Me Back To The Old Transvaal", which was a medley of "Suikerbossie", "Boere" and "Sarie Marijs"

Thembi - Take Me Back To The Old Transvaal / Didi Mala (Vinyl) at Discogs

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